Judas’ Gospel ★½
From the moment blasting heavy metal music throws the blood-red opening credits on the black screen, Giulio Base‘s fictional biopicContinue Reading
Category: Reviews
Don’t Let Me Die ★★½
Quiet tragedy, absurdist humor, and unsettling undertones of genre cinema blend in Andrei Epure‘s gloomy feature film debut. Expanding onContinue Reading
Relay ★★★
Relay is old-fashioned cinematic entertainment. Director David Mackenzie’s film is wholly unpretentious, driven by its story and the unique bondContinue Reading
Weapons ★★★★
Maybrook, Pennsylvania is an ordinary town. It is occupied by average American citizens and it is not a town whereContinue Reading
Follies ★½
At least on the surface, Éric K. Boulianne‘s uneven entry to the Locarno Film Festival’s Filmmakers of the Present sectionContinue Reading
Exile ★★½
Feverish colors, muted tones, and corroded surfaces immediately evoke the suffocating aura of systemic corruption haunting Mehdi Hmili‘s nightmarish thriller.Continue Reading
Bobò (documentary) ½
If one believes director Pippo Delbono, his documentary is one of humanism and humor. In 1995, Delbono discovered Bobò duringContinue Reading
Suspended Time ★★★
These days, when we talk about COVID films, we’re usually talking about movies made under strict rules of pandemic-era filmmaking.Continue Reading
Eddington ★★
André de Toth’s Riding Shotgun is a 1954 Western starring Randolph Scott as stagecoach guard Larry Delong. When his stagecoachContinue Reading
Sorry, Baby ★★★½
It’s quite rare you see content creators able to pull off a transition to filmmaking, due to differences in mediumContinue Reading
