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Hope ★★½
One can’t help but wonder how exactly Na Hong-jin’s fourth feature made it into Cannes competition, the cinematic standard ofContinue Reading
Jim Queen ★★½
“We are all about the G,” explains the fairy godmotherly drag queen Glamydia (Harald Marlot) to clueless closeted twink LucienContinue Reading
Everytime ★★★
A sunrise casts a strangely beautiful light on a row of drab apartment towers from one of which something suddenlyContinue Reading
Backrooms ★★★½
In 2022, the 16-year-old Kane Parsons uploaded an analog horror video to YouTube titled The Backrooms (Found Footage). Over theContinue Reading
John Lennon: The Last Interview (documentary) ★★
One day we will all be replaced by computers, says Yoko Ono in an ironic moment of Steven Soderbergh‘s inevitablyContinue Reading
We Are Aliens ★★★
Childhood constructs of the world around and the seismic reverberations their collapse send into adulthood drive Kohei Kadowaki‘s engrossing debutContinue Reading
Tangles ★★★
The nostalgic flair ingrained in the black-and-white images of Leah Nelson‘s animated debut feature gradually turns bitter as the diseaseContinue Reading
All of a Sudden ★½
There’s a certain irony in a film of over three hours in length and as deliberately slow-paced as Ryusuke Hamaguchi’sContinue Reading
I Love Boosters ★★★
Anyone who watched Boots Riley’s debut feature film Sorry to Bother You knew to expect something unconventional from his follow-up,Continue Reading
The Testament of Ann Lee ★★★
If you’ve studied American history, you probably came across the Shakers. Likely there wasn’t much information you recall about themContinue Reading
Cineccentric 