Psyche vs. Eros in Losing Ground
Losing Ground starts unremarkably enough with a scene of Sarah Rogers (Seret Scott), a college professor of philosophy, lecturing onContinue Reading
Author: Eugene Kang
The Long Con of Chameleon Street
The malleability of racial identity has been at the heart of many notable works of art, perhaps none more famousContinue Reading
Eve’s Bayou and the Fragility of Memory
Eve’s Bayou falls in line with the long tradition of adult stories told from a child’s point of view. EveContinue Reading
Incomplete Redemption Through Love in Dogfight
For most men, it is often impossible to break away from the traditions and norms enforced by toxic masculinity. ItContinue Reading
Love as War in The Handmaiden
Inspired by Sarah Waters’ Fingersmith, The Handmaiden replaces Victorian England with Korea under Japanese colonial rule in the first halfContinue Reading
The Gothic Influence in A Tale of Two Sisters
The creative explosion of Korean cinema at the beginning of the 21st century featured films of incredible diversity in styleContinue Reading
The Devolution into Primality in The Shout
Watching Jerzy Skolimowski’s The Shout is like watching a distant yet vibrant nightmare. From the very beginning, The Shout disorients usContinue Reading
Le Petit Mort in Cemetery Man
It is indisputable that Italian cinema is one of the most influential national cinemas in film history. Italian neorealism inContinue Reading
Candyman, Candyman, Candyman, Candyman, Candyma-
The figure of the Candyman has, in many ways, far extended beyond the film that he was introduced in. IContinue Reading
House: An Exercise in Sincere Camp
Despite its cult status as one of the strangest movies ever to be put to film, House did not startContinue Reading
