Knock at the Cabin ★★½
Starting from the 2015 film The Visit, M. Night Shyamalan has mostly financed and produced his own films outside ofContinue Reading
Author: Eugene Kang
Infinity Pool ★★
Brandon Cronenberg managed to skirt the criticisms of nepotism with his breakout film Possessor, which saw telepathic assassins committing gruesomeContinue Reading
Skinamarink ★★½
For many, the genre of found footage and analog horror has remained on the fringes of mainstream culture despite itsContinue Reading
Women Talking ★★★★
Women Talking starts off with a subtitle that declares the film “an imagination.” Though Sarah Polley adapted her film fromContinue Reading
EO ★★★
There is no obvious thread connecting Jerzy Skolimowski’s work. His Deep End remains a powerful, transgressive expose of toxic masculinityContinue Reading
M3GAN ★★★
M3GAN is a worthy addition to the cursed doll film genre, which more often than not flirts with camp. FromContinue Reading
Inu-Oh ★★★
In anime, an art form with storytellers of such diverse talent and style, Masaaki Yuasa effortlessly stands out amongst hisContinue Reading
Tár ★★★½
Women don’t often get to be the center of stories about genius. There have been countless versions of Van Gogh’sContinue Reading
Decision to Leave ★★★★
The body of a hiker is found at the base of a mountain near a rural town. It seems toContinue Reading
Bodies Bodies Bodies ★★★
Directed by Halina Reijn, Bodies Bodies Bodies takes the enduringly popular social deduction game of “Mafia” or “Werewolf” and turnsContinue Reading
Cineccentric 