The Platform ★★½
It’s hard to think of a recent film released to the world at a more perfect time than The Platform,Continue Reading
Category: Reviews
Emma ★★★
The work of Jane Austen hardly needs an introduction. Nor does her oft-adapted Emma, which has returned in 2020 courtesyContinue Reading
Agnes Joy ★★½
Somewhere between a patient character portrait and a family melodrama, Silja Hauksdóttir‘s Agnes Joy is a clean but confused littleContinue Reading
White on White ★★★
The second feature from Chilean director Théo Court, White on White, is set in Tierra del Fuego, an archipelago offContinue Reading
Red Moon Tide ★★½
Lois Patiño’s second feature film Lúa Vermella (Red Moon Tide) received its world premier at Berlinale 2020. The Spanish artistContinue Reading
Stories from the Chestnut Woods ★★
Elliptical storytelling – wherein a filmmaker constructs their narrative through concise, specific, and not necessarily linear moments – is aContinue Reading
Anne at 13,000 ft ★★★½
Anne at 13,000 ft is Canadian writer/director Kazik Radwanski’s sharp and energetic character study of a woman teetering around theContinue Reading
Window Boy Would Also Like to Have a Submarine ★★½
Given its world premier at Berlinale’s Forum, Window Boy Would Also Like to Have a Submarine is an ambitious andContinue Reading
The Invisible Man ★★★½
Fittingly, Leigh Whannell‘s The Invisible Man is both about what can and cannot be seen. On the face of CeceliaContinue Reading
Horse Girl ★★
We live in a time where films and other pieces of pop culture are rife for exploitation and critique. VariousContinue Reading
Cineccentric 