Killers of the Flower Moon
Though The Irishman was not the final film of Martin Scorsese’s career, in many ways it felt like the closeContinue Reading
Category: The Paragon
New Order
Mexican writer-director Michel Franco is known for making intimate and intense dramas where characters often deal with their pain alone.Continue Reading
The Lighthouse
It doesn’t take much more than the opening scene of The Lighthouse to realize you’re watching the work of aContinue Reading
If Beale Street Could Talk
The opening scene of If Beale Street Could Talk is a simple one. The camera pans over a couple, TishContinue Reading
First Reformed
At the very center of Paul Schrader’s First Reformed is the inherent conflict between hope and despair. Is it naiveContinue Reading
The Wild Pear Tree
David Lynch was right: words have failed me. As I left the Cannes premiere of Nuri Bilge Ceylan’s The WildContinue Reading
The Color of Pomegranates
On rare occasions, a work of art transcends its medium to create something entirely unique. Sergei Parajanov’s The Color ofContinue Reading
Call Me By Your Name
Living in the Italian countryside, Elio (Timothée Chalamet) spends his time reading books, transcribing music, and lounging by the pool.Continue Reading
Three Billboards Outside Ebbing, Missouri
Today, you don’t have to look far to find something to be angry about. There will always be injustice inContinue Reading
Good Time
Robert Pattinson is unrecognizable as Constantine “Connie” Nikas, a low-life New Yorker who enlists the help of his brother, NickContinue Reading
Cineccentric 