Noirvember: Noir Classics
It’s that time of year when the shadows stretch long and tall, when goons and dames walk the streets, andContinue Reading
It’s that time of year when the shadows stretch long and tall, when goons and dames walk the streets, andContinue Reading
“But I think I just cannot stand to see violence in any way […] Why do we stand still onContinue Reading
The screeching violins in Bernard Hermann’s score for Alfred Hitchcock’s horror masterpiece Psycho sound off in our ears just byContinue Reading
“The film which you are about to see is an account of the tragedy which befell a group of fiveContinue Reading
Even before the source novel was released, A Simple Favor had been pitched as a mix of Gone Girl andContinue Reading
In The Spirit of the Beehive, director Víctor Erice crafted a film that looked at the world of Spain shortlyContinue Reading
“For Sam Fuller, the world condensed into stories. That’s what he saw wherever he looked. Whatever reality, incident, fact orContinue Reading
Our senior critic Ben McDonald recently attended the 71st annual Cannes Film Festival as part of the brand new ThreeContinue Reading
Nothing about Burning is certain except that it haunts the mind long after the credits conclude. Though Lee Chang-dong’s latestContinue Reading
In this month’s roundtable, we reflect on the life of one of cinema’s giants, Alfred Hitchcock, during the month of hisContinue Reading









