Dalton Mullins’s Top 10 Criterion Films
This month, a number of our critics share their 10 favorite titles from the Criterion Collection in celebration of theContinue Reading
This month, a number of our critics share their 10 favorite titles from the Criterion Collection in celebration of theContinue Reading
As I sank into my seat and the lights dimmed, the crimson curtains at the very front of the AFIContinue Reading
In honor of what would have been Ingmar Bergman‘s 100th birthday, we take this opportunity to reflect on the legendaryContinue Reading
This month, a number of our critics share their 10 favorite titles from the Criterion Collection in celebration of theContinue Reading
Anyone who has ever been privileged to direct a film also knows that, although it can be like trying toContinue Reading
Our senior critic Ben McDonald recently attended the 71st annual Cannes Film Festival as part of the brand new ThreeContinue Reading
Alex Garland’s Ex Machina was a wonderful surprise when it premiered three years ago. Restrained, tense, and with just theContinue Reading
“Okay, I’m going to explain this very quickly so that I don’t hold you up. Yes, it’s exactly what youContinue Reading
The following is a discussion about The Disaster Artist featuring guest writer Floyd Marsh. Floyd Marsh: “I’m sorry, what were weContinue Reading
At the beginning of Pauline Kael’s review of David Lynch’s Blue Velvet, she uses a quote she overheard after aContinue Reading









