Herself ★★★
Director Phyllida Lloyd‘s previous two films are well-ingrained in British culture but for very different reasons. Her directorial debut wasContinue Reading
Director Phyllida Lloyd‘s previous two films are well-ingrained in British culture but for very different reasons. Her directorial debut wasContinue Reading
For women in horror films, trauma is fated. It is their bodies at the mercy of narrative evil; their painContinue Reading
Brandon Cronenberg‘s Possessor shares much in common with the horror films of his father, iconic body horror legend David Cronenberg,Continue Reading
Following 2019’s Tommaso, master of grit, rebel auteur Abel Ferrara returns with Willem Dafoe for a lofty nightmarish charge atContinue Reading
Spike Lee has always been an ambitious filmmaker with a strong desire to delve into social issues that demand complexContinue Reading
LX 2048, the newest film from writer/director Guy Moshe (Bunraku), has unexpected resonance during the COVID-19 pandemic. In the film’sContinue Reading
Underlying many of Kelly Reichardt’s films is the desire to create human dramas that comment obliquely on the environment whereContinue Reading
Antonio Campos’ The Devil All The Time weaves together a web of disparate lives within and around Knockemstiff, Ohio, castingContinue Reading
The work of Charlie Kaufman is one of irreconcilable contradictions – the desire to forget the pain of a break-upContinue Reading
In 2008, Misha DeFonseca publicly admitted that her memoir about being raised by wolves after her parents were killed byContinue Reading
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