Petrolheads (documentary) ★★½
For those less into cars than the two tech-savvy heroes of Emil Langballe‘s unlikely underdog story: the Honda Civic isContinue Reading
Author: Lida Bach
The Arctic Circle of Lust (documentary) ★½
Ideology and intimacy, social norms and sexual self-realization are set up as a dramatic dichotomy in Markku Heikkinen‘s thematically waveringContinue Reading
Light Pillar ★★½
Immobility, introversion, and isolation make for a timely, if occasionally exhausting, focus for Xu Zao‘s dreamlike debut feature Light Pillar.Continue Reading
My Wife Cries ★
To anyone who made it through the roughly one and a half hours of Angela Schanelec‘s contrived conversation piece, itContinue Reading
Trial of Hein ★★½
There is a strange stage-like quality to Kai Stänicke‘s first feature Trial of Hein, premiering in the 76th Berlinale’s PerspectivesContinue Reading
Chronicles from the Siege ★★★½
Life continues in spite of death in Abdallah Al-Khatib‘s visceral feature debut that turns to moments of absurdist humor andContinue Reading
The River Train ★★★
Dream, drama, and documentary intertwine in Lorenzo Ferro and Lucas A. Vignale‘s ambitious, though often arcane coming-of-age tale, premiering atContinue Reading
Lali ★★½
Making its own little bit of cinematic history as the first fully Pakistani production to be selected for Berlinale’s PanoramaContinue Reading
Not a Hero ★★½
After Village Rockstars in 2017 and the following year’s Bulbul Can Sing, Rima Das returns to Berlinale’s Generation section—dedicated toContinue Reading
Dao ★★★½
With his third Berlinale competition feature after 2012’s Aujourd’hui and Félicité in 2017, Alain Gomis reaffirms himself as one ofContinue Reading
Cineccentric 